The concept of architecture as Gesamtkunstwerk exemplifies a model for creating an artistic building’s character. This article explores how it is reflected in non-ecclesiastical edifices of Volodymyr Pokrovsky (1863–1924) during the cultural Renaissance of the early twentieth century in Ukraine within the context of the fin de siècle’s architecture.
legacy of Volodymyr Pokrovsky, Gesamtkunstwerk, synthesis of arts, public buildings, the cultural Renaissance of the early twentieth century, Kharkiv, Ukraine.
Retrieved from Vol. 5, No. 1, 2019
Pages 27-34